飛翟工坊有限公司
Update：2025/12/03
Industries
Main Industry
Music and Audio
Main Product/Service
Kickstarter’s support for creative work goes beyond our platform. We publish The Creative Independent (TCI) as a way to share advice and illuminate the many, many routes to living a creative life. We’ve featured wisdom from over more than 1,300 working artists so far—including David Byrne discussing failure, Poet Ocean Vuong on the generosity of reading and writing, Sufjan Steven rejecting the “tortured artist” schtick, and Laurie Anderson on finding inspiration in oppressive times. We’ve shared guides on everything from getting press for your creative work to reinventing yourself. And you’ll always find new voices in our newsletters and Chrome extension.
Founded Year
2018
Unified Business No.
50771397
Status
Active
Number of Employees
0
Total Paid-in
Capital
300,000 (NT$)
Location of Company
Taiwan
, Taipei City
Year of establishment, company status, responsible person, paid-in capital amount, and registered address are sourced from the "Commerce Industrial Services Portal, Department of Commerce, MOE. Exit status refers to various situations, including emerging stock exchanges (e.g., potential exits), mergers and acquisitions (M&A), and IPOs. The overseas development countries are collected through information provided by startups themselves and the information filled in when registering for matchmaking events. Therefore, the information cannot be updated in real time. If you wish to make corrections, please email findit.tier@gmail.com. Thank you.
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About the Company
Kickstarter campaigns make ideas into reality. It’s where creators share new visions for creative work with the communities that will come together to fund them.
Some of these creators, like Critical Role, TLC, and The Smithsonian Institution already had huge fanbases. But many projects have been as small-scale as a limited run of silent meditation vinyls or as up-and-coming as early versions of Issa Rae's Insecure and Phoebe Waller-Bridge’s Fleabag.
No matter what, creators always control how the work comes together—no 100-page grant applications, no donors demanding you modify your message, no last-minute edits from investors. When backers chip in funding and help spread the word, they too become part of these independent works.
Some of these creators, like Critical Role, TLC, and The Smithsonian Institution already had huge fanbases. But many projects have been as small-scale as a limited run of silent meditation vinyls or as up-and-coming as early versions of Issa Rae's Insecure and Phoebe Waller-Bridge’s Fleabag.
No matter what, creators always control how the work comes together—no 100-page grant applications, no donors demanding you modify your message, no last-minute edits from investors. When backers chip in funding and help spread the word, they too become part of these independent works.
